“You Can See Everything” has become a popular topic of discussion, with audiences eager to avoid spoilers. The documentary, delving into the story of Elizabeth Holmes, the founder of Theranos and a convicted fraudster, attracted a large audience during its opening weekend. This nearly three-hour film grossed over $15 million in ticket sales, marking the second-highest debut for a non-musical documentary in domestic box office history, following only 2004’s “Fahrenheit 9/11.”
Despite its limited release in just 855 theaters across Canada and the U.S., the film received overwhelmingly positive reviews. It initially achieved a 99% fresh rating on Rotten Tomatoes and a 4.8 rating on Letterboxd, making it the highest-rated movie on the platform. The acclaim continued as viewers praised the documentary online, with comments highlighting the gripping nature of the film.
The premise of “You Can See Everything” follows a film crew, led by directors Nathan Fielder and Lance Oppenheim, as they document the lives of Elizabeth Holmes, her partner Billy Evans, and their children in the 34 days leading up to Holmes serving her prison sentence for fraud. Toronto film critic Teri Hart described the theatrical experience of watching the documentary as intense, with audiences visibly engaged and emotionally moved throughout the screening.
Nathan Fielder’s distinctive interviewing style, combined with Elizabeth Holmes’s unique communication approach, created a captivating dynamic on screen. The documentary showcases Fielder’s unconventional methods and his commitment to revealing truths, reminiscent of his work on “Nathan for You.” Hart emphasized that the film challenges traditional notions of truth and offers a thought-provoking experience for viewers.
Distributed by A24, the same company behind other notable films like “The Invite,” “Tony,” and “Backrooms,” “You Can See Everything” has further solidified A24’s reputation for collaborating with visionary directors. The documentary’s success speaks to the company’s commitment to original storytelling and artistic integrity.
As a film enthusiast, Hart appreciates the impact of movies like “You Can See Everything” in sparking discussions and engaging audiences in theaters. The open-ended nature of the documentary leaves viewers with lingering questions and thoughts, fostering a shared and thrilling experience among strangers.